IFC Films

IFC Films to ”Enter the Void” as Company Acquires U.S. Distribution Rights to Acclaimed Film From Gaspar Noe in Advance of its U.S. Sundance Premiere

Noe’s follow-up to his 2002 award-winning "IRREVERSIBLE," "ENTER THE VOID" had its world premiere in competition at the 2009 Cannes Film Festival

Theatrical and VOD Release Set for 2010

New York, NY (Jan. 20, 2010) – IFC Films, one of the leading American distributors of independent and foreign films, announced today it has acquired U.S. distribution rights to Gaspar Noe’s ENTER THE VOID in advance of its upcoming U.S. premiere at Sundance in the Spotlight section. A surrealist drama about a drug-dealing teen killed in Japan, after which he reappears as a ghost to watch over his sister, ENTER THE VOID is a provocative yet contemplative exploration of life, death and sexuality.

Noe’s follow-up to the 2002 award-winning and controversial film IRREVERSIBLE, ENTER THE VOID premiered in competition at the 2009 Cannes Film Festival and was also featured at the 2009 Toronto Film Festival. The film stars newcomers Nathaniel Brown, Paz de la Huerta (THE LIMITS OF CONTROL) and Cyril Roy.

IFC Films will release ENTER THE VOID in 2010 via its IFC in Theaters platform which brings critically-acclaimed independent movies to on-demand viewers at home the same day they premiere in theaters.

The deal for ENTER THE VOID was negotiated by Arianna Bocco from IFC Films with Carole Baraton of Wild Bunch.

Loosely inspired by the TIBETAN BOOK OF THE DEAD, ENTER THE VOID centers on Oscar and his sister Linda, recent arrivals in Tokyo. Oscar is a small time drug dealer, and Linda works as a nightclub stripper. One night, Oscar is caught up in a police bust and shot. As he lies dying, his spirit, faithful to the promise he made his sister – that he would never abandon her – refuses to abandon the world of the living. His spirit wanders through the city, his visions growing evermore distorted, evermore nightmarish. Past, present and future merge in a hallucinatory maelstrom.

Jonathan Sehring, President of IFC Entertainment said, " ENTER THE VOID is an experience that is almost impossible to describe. Gaspar Noe is at the peak of his filmmaking powers with this film that is destined to become a cult classic. The entire team is thrilled to be working on this film and with Gaspar. It’s the perfect film for all of our platforms."

Franco-Argentine filmmaker Gaspar Noe made his first film in 1991 with the short CARNE, an introduction to the character of the Butcher, played by Philippe Nahon. An angry man, the Butcher seeks revenge on whoever hurt his disabled daughter. After working as an actor, cinematographer, writer, and director on some other projects, Noe made his first feature film, I STAND ALONE, continuing the story of the Butcher after he does time in jail and abandons his daughter. In 2002, he made IRREVERSIBLE starring real-life married couple Monica Bellucci and Vincent Cassel.

About IFC Entertainment
A leader in the independent film industry, IFC Entertainment consists of multiple brands that are devoted to bringing the best of specialty films to the largest possible audience: IFC Films, Festival Direct, IFC Productions, and the IFC Center. IFC Films is a leading distributor of independent film. Its unique day and date distribution model, ’IFC In Theaters,’ makes independent films available to a national audience by releasing them simultaneously in theaters as well as on cable’s On Demand platform and through Pay-Per-View, reaching 50 million homes. ’IFC Festival Direct’ features a wide selection of titles acquired from major international film festivals and offers them exclusively throughVideo on Demand. IFC Productions is a feature film production company that provides financing for select independent film projects. IFC Center is a three screen, state-of-the-art cinema with luxurious seating and HD digital and 35mm projection that shows art-house films in the heart of New York’s Greenwich Village. IFC Entertainment’s companies are subsidiaries of Rainbow Media Holdings LLC.

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